Download Blues Music Magazine #1 by EDITOR-IN-CHIEF: Art Tipaldi PDF

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By EDITOR-IN-CHIEF: Art Tipaldi

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Rev. Keith A. Gordon A Warner-Reprise executive told me several decades ago that Bonnie Raitt was a sure-fire bet for his label. ” Nowadays no label mogul would dare say something so sexist in public, but truth be told attractive women wielding guitars remain a sexy marketing combination. At the moment, Ms Raitt’s Slipstream is in its 56th week on the Billboard blues chart, lodged in the No. 8 slot. Right behind her is Ana Popovic’s Can You Stand The Heat in its first week of release. Popovic’s disc has a cover shot of her stroking a Stratocaster and wearing a micro-mini.

From there the tracks bounce back and forth between the artists in a harmonious mesh of acoustic guitar, banjo, and eight-string ukulele. The Mali influence, with subtle percussion from Mamadou Kone, offers variation and color to most of the material. Bibb’s “With My Maker I Am One,” in particular, gets extra texture from West African rhythm, just as Koité’s “Foro Bana” benefits from a slow traditional blues framing. They wrap their 13-song, 53-minute set with a stately, almost funeral-paced “Blowin’ In The Wind,” followed by the album-closing “Goin’ Down The Road Feelin’ Bad,” which presumably is untrue for either artist or for most listeners.

Now Fat Possum has now hooked up with Jimbo Mathus, who has done yeoman work, along with his friends in the North Mississippi Allstars, in keeping the bedrock blues of the region alive. Mathus, since making his mark with the Squirrel Nut Zippers, has put out an impressive string of solo and band albums, recorded with Buddy Guy, worked with Luther Dickinson and Alvin Youngblood Hart in the South Memphis String Band, and serves as the proprietor at the Delta Recording Service in Como, Mississippi.

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