By Robert Edgar-Hunt
Fundamentals Film-Making: Directing Fiction may help you create artistically pleasurable brief movies. supplying an available advent to the foremost parts of directing resembling script, casting, situation, sound and enhancing, there's additionally recommendation on the best way to distribute your productions.
Robert Edgar-Hunt deals either a pragmatic method of the self-discipline in addition to a theoretical exploration, explaining why a easy grounding in movie idea is vital for each movie- maker that allows you to tell and enhance their paintings. fundamentals Film-Making: Directing Fiction examines vintage videos to demonstrate key recommendations and gives workouts designed to check and construct in your figuring out of directing. there's additionally an insightful interview with Mark Herman, director of vintage motion pictures akin to Brassed
Off, Little Voice and The Boy within the Striped Pyjamas.
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Additional resources for Basics Film-Making, Volume 3: Directing Fiction
Another useful technique, even if you plan to direct your own scripts, is taking scripts by others and working through the script considerations opposite to hone your development and communication skills. Working with script Pre-production A clean page of script Working with script is a skill to be developed. You need to pay careful attention to what is there, but also what isn’t. The script is a structure and a framework; it needs you to make it into a film. This includes fleshing out the scene descriptions and adding a visual sense to dialogue.
It is therefore important to consider the following: • Who are the characters? You’ll need to work on a back story for each. • Are the characters characterised correctly? • Is the tone of delivery of speech clear? Pre-production • Do the physical descriptions of characters work? If these descriptions don’t exist you’ll need to create them. • Are settings/locations fully explained and explored? • Are there any subtexts that you need to explore or draw out? • What is the central theme or meaning?
Com. Elevator Gods and the process of pre-production Peter Hunt has detailed knowledge of film production and has worked in the film industry in a number of contexts. However, the development of Elevator Gods and the time it has spent in pre-production is an example of the complexities of film-making and the tenacity required in developing a film. As Peter explains himself, it’s a complex process: ‘I’m from a graphic design background, and I packaged the script to look really good. That was four years ago.