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By Thomas E. Wartenberg

Taking photo Books heavily: What do we find out about philosophy via kid's books?

This hot and captivating quantity casts a spell on grownup readers because it unveils the unusually profound philosophical knowledge contained in kid's photograph books, from Dr Seuss's Sneetches to William Steig's Shrek!. With a mild contact and stable humor, Wartenberg discusses the philosophical rules in those vintage tales, and gives mom and dad with a realistic start line for discussing philosophical concerns with their teenagers. available and multi-layered, it solutions questions like, Is it ok for adults to mislead little ones? what is the distinction among asserting the Mona Lisa is a smart portray and vanilla is your favourite style? every one bankruptcy contains illustrations commissioned specially for this ebook

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Extra resources for A Sneetch is a Sneetch and Other Philosophical Discoveries: Finding Wisdom in Children's Literature

Sample text

Her clueless father understands none of this and simply assumes his daughter is once again misbehaving. ’’ Knuffle Bunny is the stuffed rabbit toy Trixie takes with her everywhere she goes. Her mother immediately grasps that Trixie is upset that they have left Knuffle Bunny behind. So off the three of them go to try to retrieve it. The contrast between how Trixie’s father and mother respond to her desperate attempts to communicate highlight an interesting philosophical issue in the area of the philosophy of mind.

It’s my turn and I have something in my hand, so you have to guess what it is. You try. A coin. Nope. A pebble. Nope. A bottle cap. Once more, nope. No matter what you guess, I tell you that you are wrong, it’s not what you guessed. Frustrated, you give up and ask me what I had concealed in my fist. ’’ You would, no doubt, be frustrated. I couldn’t just have something in my hand, I had to have a concrete object – a specific something – like any of the ones you guessed I did. ‘‘Something’’ is not a thing but a sort of placeholder that has to be filled by some specific object or other.

Language is not just a way to describe the things that compose our world; it is also a way to register our feelings about and attitudes towards them. In getting us to accept this view of language, Shrek! ’’ A great deal of the enjoyment we get out of reading this book involves our appreciating the oddity of the inverted world it creates in which the standard connection between facts and their appraisals is inverted. But the delight we feel as we read the book has a ‘‘serious’’ aspect to it, for, as I have been arguing, the inversions registered in Shrek!

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