By Wheeler Winston Dixon
The historical past of foreign cinema is now on hand during this concise, compact and entire ebook, illustrated with over three hundred infrequent stills and illustrations.The top one-stop resource for the historical past of global movie out there, it's the tale, accessibly and authoritatively advised, of the main routine and occasions, administrators, stars and studios from the Eighties to the current. The illustrations deliver readers head to head with the most important gamers and movies that experience made this contemporary global historical past such an exhilarating one. The booklet provides complete sweep of cinema and its significant occasions and technological advancements, from the discovery of the kinetoscope, in the course of the advent of sound and color, to the computer-generated imagery of the twenty-first century. This background is unique and gratifying in throwing its highlight at the nice filmmakers, on Hollywood, Bollywood and the recent Wave cinemas of england, Europe and South the US, but in addition bringing into the body minority and autonomous movies and filmmakers, ladies filmmakers and the cinemas of constructing international locations that experience so usually been ignored in histories of cinema.
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Additional resources for A Short History of Film
Qxd 1/15/08 9:27 AM Page 9 the invention of the movies An Edison Kinetoscope parlor, circa 1894. wore off, Edison was pushed by economic need to create more bizarre entertainments, notably Boxing Cats (1898), in which two cats duke it out in a miniature boxing ring in a parody of his “ﬁght” ﬁlms Leonard-Cushing Fight and Boxing Match (both 1894). Even in works that were devoid of violence, like Highland Dance (1894), Edison was constructing a gallery of ﬁlms that involved exaggerated masculinity (the boxing ﬁlms) and stylized sensuality (the Ella Lola and Carmencita ﬁlms).
Phantom trains” were also popular during this period, in which “passengers” would “travel” the world through the illusion of projected backdrops, while primitive hydraulic devices created the sensation of movement, much like today’s amusement rides at Universal Studios and Disneyland. As a sort of precursor to the big-budget cinema spectacles of the 1950s, Robert Barker’s Panorama, which played in Edinburgh in 1787, presented to audiences views of huge paintings that recreated famous historical tableaux.
Qxd 1/15/08 9:30 AM Page 23 the birth of an american industry ments that gave his ﬁlms a style all their own, along with his use of a recognizable stock company of players. While his early ﬁlms used intercutting of simultaneous events to create suspense— and The Lonely Villa (1909), for example, used a then-unprecedented number of camera setups to enhance the speed of the narrative—Grifﬁth was most at home with the conventions of Victorian melodrama. Working with his favorite cameraman, G. W. “Billy” Bitzer, Grifﬁth nevertheless enlarged the technical grammar of the cinema, and, like Alice Guy before him, insisted on rehearsals and on reducing actors’ movements to make his scenarios seem more natural.