By Hal Leonard Corp.
(Bass Recorded Versions). 25 songs each bassist should still be aware of, together with: one other One Bites the dirt * Badge * Come jointly * Crossroads * Detroit Rock urban * loose trip * Funk #49 * hiya Joe * Iron guy * Low Rider * cash * My new release * proprietor of a Lonely middle * Peg * begin Me Up * candy Emotion * extra.
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26 Young children, in particular, ‘need a real rather than a virtual reality’27 if they are to thrive and be happy, balanced human beings. 28 For boys especially, commercial companies concentrate on nurturing the competitive instinct and appealing to their inbuilt desires for power, force, mastery, domination and control as well as their natural interest in gadgets and technology. 30 That said, there is no doubt that children for the last two or more decades have been the target of commercial organizations and that their play has been influenced significantly by this move – whether for good or ill, time and research may tell.
In R. Fisher and M. Williams (eds) Unlocking Creativity: Teaching Across the Curriculum. London: David Fulton (p. 11). 40. Masters, P. (2008) Play theory, playing and culture, Sociology Compass, 2/3: 856–69 (p. 858). 41. A. ). Thousand Oaks, CA: Pine Forge Press. 42. Schwartzman, H. (1978) Transformations: The Anthropology of Children’s Play. New York: Plenum Press. 43. Kalliala, M. (2005) Play Culture in a Changing World. Maidenhead: Open University Press (p. 4). 44. Linn, S. (2010) Commercialism in children’s lives.
Papadopoulos, L. (2010) Sexualisation of Young People Review. London: Home Office. pdf (accessed 12 January 2012). 20. Sue Palmer, personal communication with author. 21. Letting Children be Children: Report of an Independent Review of the Commercialisation and Sexualisation of Childhood (2011) London: Department for Education (DfE). 22. Chudacoff, H. (2008) Children at Play: An American History. New York: New York University Press. 23. Pellegrini, A. (2009) The Role of Play in Human Development.